Showing posts with label reading/viewing. Show all posts
Showing posts with label reading/viewing. Show all posts

Tuesday, July 7, 2026

June 2026 reading & viewing

Jacqueline Harpman, I Who Have Never Known Men

fiction:

  • Jacqueline Harpman, I Who Have Never Known Men (1995)
  • Michael Moorcock, A Cure for Cancer (1971)
  • Isaac Asimov, The End of Eternity (1955)

visual:

  • Charles M. Schulz, The Complete Peanuts: 1983 to 1984
  • Charles M. Schulz, The Complete Peanuts: 1985 to 1986

nonfiction:

  • Michael Pollan, A World Appears (2026)
  • Bill Perkins, Die with Zero (2020)

movies:

  • Kane Parsons, Backrooms (2026)

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Thursday, June 4, 2026

May 2026 reading

Samuel M. Moss, The Veldt Institute

fiction:

  • Samuel M. Moss, The Veldt Institute (2025)
  • Solvej Balle, On the Calculation of Volume (Book II) (2020)
  • Barbara Pym, Less Than Angels (1955)

visual:

  • Charles M. Schulz, The Complete Peanuts: 1981 to 1982

nonfiction:

  • Caroline Tracey, Salt Lakes: An Unnatural History (2026)

ratings (and occasional commentary) on my Goodreads

Tuesday, May 5, 2026

April 2026 reading & viewing

David Michaelis, Schulz and Peanuts: A Biography

fiction:

  • Nicholson Baker, House of Holes (2011)
  • Lee Child, Killing Floor (1997)

visual:

  • Charles M. Schulz, The Complete Peanuts: Comics and Stories 1950–2000
  • Charles M. Schulz, The Complete Peanuts: 1979 to 1980

nonfiction:

  • David Michaelis, Schulz and Peanuts: A Biography (2007)

movies:

  • James Whale, Frankenstein (1931)
  • James Whale, Bride of Frankenstein (1935) *
  • Phil Roman, Bill Melendez, Race for Your Life, Charlie Brown (1977) *

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Sunday, April 12, 2026

March 2026 reading & viewing

Solvej Balle, On the Calculation of Volume (Book I)

fiction:

  • Solvej Balle, On the Calculation of Volume (Book I) (2020)
  • Beatriz Serrano, Discontent (2023)

nonfiction:

  • William E. Jones, Halsted Plays Himself: Expanded Edition (2011/2022)

movies:

  • Yasujirō Ozu, Tokyo Story (1953) *
  • Harry Lighton, Pillion (2025)
  • Fred Halsted, Sextool (1975)

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Monday, March 2, 2026

February 2026 reading & viewing

William Friedkin, To Live and Die in L.A., 1985

fiction:

  • Tony Duvert, Odd Jobs (1978)

poetry:

  • William Minor, Sketches and Exasperations of a Big Wooden Dummy (2025)

nonfiction:

  • Josh Peterson, Granite City Blues (2019)

movies:

  • William Friedkin, To Live and Die in L.A. (1985)
  • Fred Halsted, Sex Garage (1972)

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Friday, February 6, 2026

January 2026 reading & viewing

Jean Genet, Our Lady of the Flowers

fiction:

  • Jean Genet, Our Lady of the Flowers (1943)
  • Edgar Rice Burroughs, The Return of Tarzan (1913)

visual:

  • Tom Gauld, Physics for Cats (2025)
  • Thi Bui, The Best We Could Do (2017)

nonfiction:

  • Jamie Stewart, Anything That Moves (2023)
  • Michelle Zauner, Crying in H Mart (2021)

movies:

  • Josh Safdie, Marty Supreme (2025)
  • Chloé Zhao, Hamnet (2025)

ratings (and occasional commentary) on my Goodreads

Monday, January 5, 2026

December 2025 reading & viewing

Edgar Rice Burroughs, At the Earth’s Core

fiction:

  • Edgar Rice Burroughs, At the Earth’s Core (1914)
  • C.E. McGill, Our Hideous Progeny (2023)

nonfiction:

  • Josh Peterson, Missing (2018)

movies:

  • John Carpenter, Escape from New York (1981)
  • Tim Burton, Beetlejuice (1988)
  • Craig Brewer, Song Sung Blue (2025)

ratings (and occasional commentary) on my Goodreads

Wednesday, December 10, 2025

November 2025 reading

Charles Portis, Norwood

fiction:

  • Charles Portis, Norwood (1966)
  • Han Kang, The Vegetarian (2007)
  • Vincent Latronico, Perfection (2022)
  • Barry Gifford, Perdita Durango (1992)
  • Barry Gifford, Francis Goes to the Seashore (1982)
  • Michael Moorcock, The Final Programme (1968)
  • Edgar Rice Burroughs, Tarzan of the Apes (1912)

visual:

  • Julia Wertz, Impossible People: A Completely Average Recovery Story (2023)

ratings (and occasional commentary) on my Goodreads

Wednesday, November 5, 2025

October 2025 reading & viewing

Michael Moorcock, The End of All Songs

fiction:

  • Barry Gifford, Landscape with Traveler: The Pillow Book of Francis Reeves (1979)
  • Barry Gifford, Wild at Heart (1989)
  • Michael Moorcock, The Hollow Lands (1974)
  • Michael Moorcock, The End of All Songs (1976)

nonfiction:

  • Rainer Maria Rilke, Letters to a Young Poet (1908)
  • Naomi Klein, Doppelganger: A Trip Into the Mirror World (2023)

movies:

  • Paul Thomas Anderson, One Battle After Another (2025)
  • Paul Thomas Anderson, Licorice Pizza (2021)
  • Yorgos Lanthimos, Bugonia (2025)
  • Fred Halsted, L.A. Plays Itself (1972)

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Sunday, October 5, 2025

August/September 2025 reading & viewing

Jean Genet, The Thief’s Journal

fiction:

  • Jean Genet, The Thief’s Journal (1949)
  • Vladimir Nabokov, Pnin (1957)
  • Michael Moorcock, An Alien Heat (1972)
  • Rachel Kushner, Creation Lake (2024)
  • Ray Bradbury, The Illustrated Man (1951)
  • Norton Juster, The Phantom Tollbooth (1961)
  • Stephen King, Carrie (1974)
  • Edgar Rice Burroughs, A Princess of Mars (1912) *

nonfiction:

  • Jane Giles, The Cinema of Jean Genet: Un chant d’amour

movies:

  • Jean Genet, Un chant d’amour (1954) *
  • Chuck Jones, The Dot and the Line: A Romance in Lower Mathematics (1965) *
  • Saul Bass, Phase IV (1974)
  • Eliza Hittman, Beach Rats (2017)
  • Rob Reiner, The Princess Bride (1987)
  • Eugenio Martín, Horror Express (1972)
  • Steve Scott, Rough Cut (1979)
  • Fatty Arbuckle, Coney Island (1917)
  • Luca Guadagnino, Challengers (2024)

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Thursday, August 7, 2025

June/July 2025 reading & viewing

Larry McMurtry, The Last Picture Show

fiction:

  • Larry McMurtry, The Last Picture Show
  • Mark Twain, Adventures of Huckleberry Finn
  • Kaveh Akbar, Martyr!
  • Sayaka Murata, Convenience Store Woman
  • Joe Westmoreland, Tramps Like Us
  • Eando Binder, Adam Link - Robot

visual:

  • Charles Burns, Final Cut
  • Kristen Radtke, Imagine Wanting Only This

nonfiction:

  • Edward Abbey, Desert Solitaire: A Season in the Wilderness
  • Matt Young, Eat the Apple
  • Brianna Madia, Nowhere for Very Long

movies:

  • Spike Jonze, Her
  • Garret Price, Yacht Rock: A DOCKumentary
  • Joseph Kosinski, F1

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Sunday, June 1, 2025

May 2025 reading & viewing

Luca Guadagnino, Queer

fiction:

  • Gary Indiana, Do Everything in the Dark *

nonfiction:

  • (Harold Bloom, ed.), Modern Critical Interpretations: Thomas Pynchon’s Gravity’s Rainbow
  • Joan Didion, The Year of Magical Thinking
  • Griffin Dunne, The Friday Afternoon Club>
  • Chris Fink, Forage Like a Bear

movies:

  • Luca Guadagnino, Queer

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Thursday, May 29, 2025

March/April 2025 reading & viewing

Allan Hollinghurst, The Swimming-Pool Library

fiction:

  • Allan Hollinghurst, The Swimming-Pool Library
  • Paul Lynch, Prophet Song
  • Harry Crews, Body

visual:

  • Barry Phipps, Driving a Table Down
  • Wolf Von Eckardt, Marcel Breuer at the Metropolitan Museum of Art
  • Bryan Caplan, Open Borders: The Science and Ethics of Immigration
  • David Heatley, My Brain Is Hanging Upside Down

nonfiction:

  • Bob Dylan, Chronicles: Volume One
  • Lisa Carver, Lover of Leaving
  • Liz Pelly, Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist

movies:

  • Federico Fellini, Fellini Satyricon
  • Todd Haynes, Poison *
  • Gordon Douglas, Them!
  • George Butler & Robert Fiore, Pumping Iron
  • Bong Joon Ho, Mickey 17

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Thursday, March 13, 2025

January/February 2025 reading & viewing

James Baldwin, Giovanni's Room

fiction:

  • James Baldwin, Giovanni’s Room
  • Miranda July, All Fours

visual:

  • Barry Phipps, Between Gravity and What Cheer: Iowa Photographs
  • Sarah Crowner, Patterns
  • Dash Shaw, Blurry
  • David Heatley, Qualification
  • Garry Trudeau, Doonesbury Nation

nonfiction:

  • Bob Ostertag, Encounters with Men
  • Edmund White, The Loves of My Life: A Sex Memoir
  • William E. Jones, True Homosexual Experiences: Boyd McDonald and Straight to Hell

movies:

  • Brady Corbet, The Brutalist
  • James Mangold, A Complete Unknown
  • Gia Coppola, The Last Showgirl
  • Jon Nguyen, David Lynch: The Art Life
  • David Lynch, Eraserhead *
  • David Lynch, Blue Velvet *
  • David Lynch, Wild at Heart *
  • David Lynch, Twin Peaks: Fire Walk with Me *
  • David Lynch, Lost Highway *

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Tuesday, January 14, 2025

December 2024 reading & viewing

Jean Genet, Miracle of the Rose

fiction:

  • Jean Genet, Miracle of the Rose
  • Joanna Russ, On Strike Against God

nonfiction:

  • Jeph Jerman & Aram, Yardumian, Listen: Jeph Jerman in Conversation with Aram Yardumian
  • Phil Freeman, In the Brewing Luminous: The Life & Music of Cecil Taylor

movies:

  • Gints Zilbalodis, Flow
  • Emerald Fennell, Saltburn

ratings (and occasional commentary) on my Goodreads and my Letterboxd

November 2024 reading & viewing

Thomas Pynchon, Gravity's Rainbow

fiction:

  • Thomas Pynchon, Gravity’s Rainbow
  • Henry Miller, Tropic of Cancer
  • Ray Bradbury, Fahrenheit 451
  • Lauren Ling Brown, Society of Lies

visual:

  • Tom Gauld, Baking with Kafka

nonfiction:

  • Lawrence Weschler, Mr. Wilson’s Cabinet of Wonder: Pronged Ants, Horned Humans, Mice on Toast, and Other Marvels of Jurassic Technology *

movies:

  • Richard Kern, The Right Side of My Brain
  • Christina Tillman & Joe Losurdo, You Weren’t There: A History of Chicago Punk 1977–1984
  • Heinz Emigholz, Maillart's Bridges

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Wednesday, November 6, 2024

September/October 2024 reading & viewing

Bret Easton Ellis, Less Than Zero

fiction:

  • Bret Easton Ellis, Less Than Zero

visual:

  • Robert Beatty, Floodgate Companion

nonfiction:

  • James Parker, Get Me Through the Next Five Minutes: Odes to Being Alive
  • James Parker, Turned On: A Biography of Henry Rollins
  • Geoff Dyer, White Sands
  • Greta Ehrlich, The Solace of Open Spaces

movies:

  • Ryusuke Hamaguchi, GIFT (with live soundtrack by Eiko Ishbashi)

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Friday, September 20, 2024

July/August 2024 reading & viewing

Donna Tartt, The Secret History

fiction:

  • Donna Tartt, The Secret History
  • Charles Portis, True Grit
  • Robert Silverberg, The Conglomeroid Cocktail Party
  • Stephen King, Desperation

visual:

  • Bob Black & Bruno Borges, The Abolition of Work

nonfiction:

  • Richard Hell, I Dreamed I Was a Very Clean Tramp
  • Richard Koloda, Holy Ghost: The Life & Death of Free Jazz Pioneer Albert Ayler
  • Marcia Bjornerud, Reading the Rocks: The Autobiography of the Earth

movies:

  • Rob Reiner, Albert Brooks: Defending My Life
  • Albert Brooks, Defending Your Life *

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Monday, July 1, 2024

June 2024 reading & viewing

Christopher Isherwood, Goodbye to Berlin

fiction:

  • Christopher Isherwood, Goodbye to Berlin
  • Christopher Isherwood, Mr Norris Changes Trains
  • Edmund White, A Saint from Texas
  • Ray Bradbury, The Martian Chronicles
  • John Knowles, A Separate Peace

poetry:

  • Jandek, The Element of Nothing

nonfiction:

  • Lucy Sante, The Factory of Facts
  • Legs McNeil, Please Kill Me: The Uncensored Oral History of Punk *

movies:

  • Blake Edwards, Breakfast at Tiffany’s
  • Francis Ford Coppola, The Godfather *
  • Francis Ford Coppola, The Godfather: Part II *
  • Francis Ford Coppola, The Godfather: Part III *

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd

Thursday, June 20, 2024

April–May 2024 reading & viewing

Sasquatch Sunset

fiction:

  • Barbara Pym, A Few Green Leaves
  • Jerzy Kosińksi, Steps

visual:

  • Kevin Huizenga, The River at Night
  • Evan Doherty, Stop Looking at My Tiny Town

nonfiction:

  • John McPhee, Tabula Rasa: Volume 1
  • Lucy Sante, I Heard Her Call My Name: A Memoir of Transition
  • Andy Hamilton, Pianos, Toys, Music, and Noise: Conversations with Steve Beresford
  • Patrick Cowley, Mechanical Fantasy Box: The Homoerotic Journal of Patrick Cowley

movies:

  • David Zellner & Nathan Zellner, Sasquatch Sunset
  • Tom Tykwer, The Princess and the Warrior
  • Ron Clements & John Musker, The Little Mermaid
  • Irvin Kirshner, Never Say Never Again *

* = re-read/re-view

ratings (and occasional commentary) on my Goodreads and my Letterboxd